Earlier this year, I visited the Cincinnati Art Museum for the first time in my life. And I fell in love. With this:
The Midnight Mass by Edward Timothy Hurley
Much more impressive in person, this painting struck me. Done all in deep blues with white highlights, a town in silence, covered in snow. That night quiet, every echo and word and scream muffled by the coating of Winter, I felt peace. And quiet. And sadness. Sadness because the only color aside from the blue/white wash was that church window. The only warmth was the parish.
And I didn't want to be there.
I identified myself with the observer, because - obviously - someone had to paint it. Late, alone, in the cold, and outside. I am that guy. Not because I don't like gatherings or don't like church (not that I do), but because I know inherently that I am not one of those people, in the cold, gathered in the church, at midnight. There is much more important work to do.
I just hope Hurley had a friend or two to drink a late glass of wine with while painting this.
No.
A friend to see it afterwords. The painting was created alone. Quietly. With aid of a heavy coat and the padding of snow.
This is not the Grinch hearing the song of the Whos, but reality: no malice, no anger, but a somber realization that sometimes, just sometimes, it's okay to be alone, to be quiet, and to enjoy it.
Love it.
November Full Moon Altar: Inanna
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